I'm recovering from a two-day migraine.
I'm also watching 1956's The Ten Commandments on ABC. This, of course, is the epic film that featured Edward G. Robinson screaming, "Where's your God now!?," Anne Baxter as a nymphomaniac, Vincent Price as an Egyptian, Yul Brynner as Ramses, and, most famously, Charlton Heston as the most gentile (and virile) Moses imaginable.
There's a tendency to be dismissive of this film and indeed, it is just as over-the-top and (by modern standards) campy as is often claimed. That said, the film's excesses are really no different than the excesses of most modern studio productions. Indeed, when compared to Michael Bay's Pearl Harbor or any of the films that Mimi Leder has directed over the last decade, The Ten Commandments is a portrait of restraint and good taste. And the film's oft-ridiculed dialog and stiff, one-note characterizations are no worse than anything to be found in James Cameron's Titanic or Ridley Scott's Gladiator.
The thing is that, strangely enough, The Ten Commandments still works. It still hold the viewer's interest and, if you're willing to accept the film for what it is, the film can still be oddly moving in its way. Add to that, in these days when movies are being made to improve special effects (as opposed to special effects being used to improve movies), there's something rather charming about The Ten Commandments' attempts to visualize such concepts as the burning bush and the parting of the Red Sea.
And, say what you will,Edward G. Robinson really does shout "Where is your God now!?" as if his life depended upon it.
That said, the best film version of Exodus remains Mario Bava's rather low-key (and criminally underrated) Moses, the Lawgiver, in which Moses was played by Burt Lancaster, another easily miscast actor with a comically strong jawline.
However, there remains something very comforting about the knowledge that. over fifty years since it first premiered on the nation's movie screen, The Ten Commandments continues to appear on television. It's a lasting tradition in a country that, as of late, has been far too quick to dismiss its traditions.
Indeed, I will only truly worry about the future of this nation when an Easter passes without the sight of Charlton Heston turning his staff into a snake on national television.