Tonight, the top 12 girls are performing on American Idol. Will they improve on the guys last night? Well, to be honest, they can’t do much worse. Not that any of the guys were really amazingly disastrous. They were just generally bland and inoffensive; a perfect combination for pop stardom but not for a chance to be anything unique.
When all is said and done, the only thing that you really need to know about American Idol is that Elvis Costello, David Byrne, Patti Smith, Elliott Smith, Jeff Buckley, Johnny Lydon, and Penelope Houston would probably have never made it past the audition stage.
I’ve got Big Brother on in the other room. I’m taping it so I can see which white trash couple got voted out and which remaining white trash couple will then proceed to become the new Head of the White Trash Household.
American Idol has just started. Ryan Seacrest just reminded judge Randy Jackson that Randy said that the boys “could really blow” last night.
Is there any way we could get Randy to no longer make that comment? Seriously, it’s a little bit creepy.
The girls, like the boys, are singing songs from the 60s tonight. Hopefully, they’ve actually selected some good songs from the ‘60s as opposed to Moon River.
As I wait for the time filling “Where They Started From” clip to end, now would be a good time to comment on the fact that a lot of this year’s finalists are actually professional musicians who have been involved in the business for quite some time. This really doesn’t bug me. After all, it’s just American Idol. I’ll save my moral outrage for the political prisoners in Cuba. Still, it is somewhat annoying that the show’s producers and judges still insist on pretending that this isn’t true.
There’s a commercial on for a new sitcom starring Parker Posey. She’s cool. It’s been a while since I watched Dazed and Confused.
Okay! The show’s back. Our first performer is Kristy Lee Cook who is obviously being presented as the second coming of Carrie Underwood. She’s singing Rescue Me. She’s got a good enough voice (though not a really interesting one) but this isn’t a good song for her. She’s too blonde and wholesome in her presentation. It’s hard to believe that she’s ever had to be rescued from anything in her life. She’s the epitome of safe, nonthreatening sexiness. I’m sure there will be a lot of very happy dirty old men when she gets around to posing for Maxim. The judges are giving her very qualified praise, i.e., it wasn’t good but that’s okay because you’re under pressure. Is she one of the ringers?
Joanne Borgella is next. She is better known as the plus-sized model that made this competition. The exact name of what she’s singing slips my mind. It’s that one that goes “Forever and ever and never will part…” At the beginning, she seemed pretty nervous and I really thought I was about to see a real disaster. But, her confidence obviously grew as she got used to the stage and by the end, she was actually pretty good. She narrowly pulled it off. Hopefully, she’ll stick around if just because I like her last name. It sounds close enough to Borgia to remind me that someday, I’m going to write a historical novel taking place during the time of the Borgia Popes.
We’re on commercials. My mind wanders. It was cold and wet yesterday. Now, it’s hot and dry. That’s Texas for you. Schizophrenic weather for a schizophrenic state. Know what I hate? Those car commercials that go “Zoom Zoom Zoom!” Seriously, isn’t it time to move on to something else? Car commercials always leave me wanting to be a pedestrian.
Okay, we’re back.
Next up is 16 year-old Alaina Whitaker from Tulsa, Oklahoma. She’s another blonde. She’s actually doing a pretty good job with that song that goes “I love you more today than yesterday but not as much as tomorrow” (I know, my memory for song titles is not good.) As opposed to the superficially similar Kristy Lee Cook, Alaina actually seems to understand that she’s singing about sex as opposed to holding hands. Of course, it’s a little disturbing that she seems to understand this at the age of 16.
More commercials. Just saw one for the upcoming big-budget-sure-to-be-disappointing movie 10,000 B.C. I really can’t work up much enthusiasm for any caveman film that doesn’t feature a mysterious black monolith from space or Racquel Welch.
And we’re back. Amanda Overmyer is up next. Amanda’s been described as a “rocker.” I think this is because the front of her hair is dyed a different color from the rest. She’s also been compared to Janis Joplin on every episode she’s appeared on. I have no idea what she’s currently singing but I kinda like it. I don’t think American Idol is going to be the best place for her style of singing. It’s not pop friendly. That said, I always find myself feeling that she’s trying a bit too hard to live up to this “Joplin” title that has been pushed on her. And, quite frankly, she’s not Joplin. Lita Ford, maybe.
More commercials. My telephone’s ringing. Why do people insist on calling my house? Seriously, don’t they realize that there’s no way in Hell I’m actually going to answer? The new Wendy’s commercial is on. Finally, they’ve abandoned those grotesque commercials featuring the men in the red wigs. Good for them. SCREW THE VISA CHECK CARD! Seriously, those commercials just annoy me. Now, a commercial for another new sitcom. “Meet four new recently single friends…” Uhmm, no thanks.
We’re back and professional model Amy Davis is about to go on. Davis has also been compared to Joplin. Maybe every one of the girls gets compared to Joplin at least once. Maybe that’s in the contract. She’s singing Where The Boys Are which, like last night’s Moon River, isn’t so much a song of the ‘60s as it’s a song that happened to be written in the ‘60s. Well, I don’t think we’ll be hearing any more Joplin comparisons as a result of this performance. Amy sung the Hell out of the song but it doesn’t help when the song in question is as amazingly dull as Where The Boys Are. As opposed to Janis Joplin, one gets the feeling that Amy Davis doesn’t have a really developed sense of irony. Paula Abdul just critiqued the song by saying that the camera loves Amy Davis. Hmmm, you think that might be why she’s a professional model?
Following Amy Davis is Brooke White who is singing So Happy Together. I actually think she’s doing a pretty good job with the song. It’s not great but then again, that song has got to be one of the most overplayed songs in the history of popular music. One gets the feeling that Brooke is a far better singer than what we’re seeing right now. Brooke is another one of the blondes and gives off an appealingly spacey vibe. She comes across like the type of girl that you always wished most hippie chicks were like.
Commercials. The GMC President’s Day Sale commercial with its amazingly annoying remix of Hail to the Chief. God, if I never hear that again…oh wait a minute. I am hearing it again. They always play that commercial twice in each commercial bloc. Way to be obnoxious, folks.
We’re halfway through the girls. Our seventh performer is Alexandrea Lushington. Check out that name. Lushington. That’s a great name though it works better for a fictional supporting character than for an actual breathing human being. She’s singing What Goes Up Must Come Down (yes, I’ve been reduced to identifying songs by lyrics as opposed to title) and she’s doing such a good job of it that I’m reminded that she’s supposedly one of the ringers. The only problem, to be honest, is that whenever I hear the song, I am reminded of the great Jeffrey Tambor singing the song on an old episode of The Larry Sanders Show. Tambor’s performance of the song was so brilliantly overdone that I’ve never been able to take it seriously since. Simon Cowell just complained that Ms. Lushington sounded like she was performing in some “terrible ‘60s musical.” Well, who decided they had to sing songs from the ‘60s in the first place!?
More commercials. I always find amusing when I’m told that if I start to have thoughts of suicide while taking an anti-depressant, I should speak to my doctor. Gee, ya think!?
Screw this. I’m getting a Coke.
Okay, I’m back and so is the show. Our next performer is blonde from Houston named Kady Malloy. Kady does Britney Spears impersonations and a pretty good one too. I can’t help it. I like Kady. Kady’s singing Groovy Kind Of Love. It’s a technically good performance but it really doesn’t have any individual personality to it. It’s kinda dull. Kady’s trying too hard. Loosen up. Sing some Britney. Kady looks like she’s getting a bit ticked off at the judge’s critique. I don’t blame her in the least. Randy’s a flake, Paula’s a nut, and Simon’s English.
Up next is Asia’h Epperson. Her father’s dead. This is relevant because that’s what we’re told every time she appears on the show. Asia’h just sang – oh, who knows? It was pretty good whatever it was but Randy just compared her to Janis Joplin.
More commercials. Time for a cigarette.
Outside, my cat stared at me the whole time I was smoking. His eyes said “Loser!”
Freedom’s just another word for nothing left to lose. Do you think Kris Kristofferson gets sick of hearing that?
Our next performer is Ramielle Malubay, the tiny girl with the big voice. She’s singing a very serious song which is kind of a mistake for her. She does a good enough job but it’s nothing great. She’d be better suited for a song with more energy to it. She could be a really fun performer.
Speaking of sad songs, my friend Gloria was singing Yo No Tengo Nada earlier today. It was pretty cool. Myself, I found myself singing 99 Problems at work this afternoon. What can I say? It’s just stuck in my head. If you’re having girl problems/I feel bad for you son/I’ve got 99 problems/but a bitch ain’t one…
More commercials. 99 problems but a bitch ain’t one…
And we’re back!
Our eleventh performer – hey, we’re nearly done! Syesha Mercado is up. Is she another ringer? Are they all ringers? Who knows? Who cares? Syesha is the one who got through despite losing her voice during Hollywood week. I actually like Syesha’s performance. Can’t understand a word she’s singing but she’s got more genuine energy than most of the other performers we’ve seen tonight. Randy said she had a couple of “pitchy things.” What the Hell are pitchy things?
More commercials. God, so many commercials. Fear not, we’re nearly done! You’re crazy for this one, Rick!. Sorry, I’m still trying to get 99 Problems out of my head.
The last performer is Carly Smithson. Carly is the most infamous of the ringers in that she actually had a much hyped, little bought album released in 2001. Well, I don’t care. I like Carly. She’s Irish and dammit, we need more Irish accents on American television. As for her performance tonight – well, don’t ask me what she’s singing. It’s a dreadfully boring song and a boring song usually makes for a boring performance. Carly sings the Hell out of it but the song is just flat. Randy’s going nuts over her performance. So is Paula. Look, guys, I like Carly but it wasn’t that good a performance. Oh, Simon disliked it. Well, he would being English and all. Good God, Simon, haven’t you people already done enough to the people of Ireland!?
Okay, it’s over. In the end – well, all the girls were good but it’s hard to think of a single one who could really claim to have made a name for herself on the basis of tonight’s show.
I’m off now to revel in the pure trashiness that is Big Brother. How many times will Julie Chen screw up tonight?
I can’t wait to find out.